Society of Strange and Ancient Instruments: The Open Fund for Organisations
Sound House
Strange and Ancient Instruments. Clare Salaman. Kiln studio, Snape Maltings.
Although Francis Bacon, 17th century philosopher, statesman and visionary, is widely regarded as the father of modern science, his investigations into the nature of sound are little known. He was intrigued by seemingly magical effects like echoes and sympathetic vibration and sought to explain them through a series of experiments in, and observations of, sound.
Combining modern sound technology with ancient instruments, The Society of Strange and Ancient Instruments explore the aural illusions that so intrigued Francis Bacon and our 17th century forbears with fresh interpretations of 17th century music linked to each other by newly composed pieces. The performers play unusual and historically appropriate instruments including the mysterious lirone, the jangling bray harp and the little known viola bastarda.
‘Anyone who has experienced an SSAI performance can testify as to the impressive visual and aural spectacle that they produce, and their vibrant, carefree virtuosity was as enthralling as ever.’ Early Music Today.
‘The Society of Strange and Ancient Instruments has forged a reputation for being one of our finest exponents of early music. They enchant and amaze in equal measure.’ The Musician.
‘What the Society of Strange and Ancient Instruments have concocted in Sound House is a wondrous journey through a realm of unimaginable sonic possibilities; travel with them, and I guarantee that you will never think of sound in the same way again.’ Early Music Today.
Socials: